Frame

For the first post of 2012, I wanted to start us off head on with a novel concept for the art that is known as the music video. Growing up in my generation, this meant that you saw the starlette of the day prancing around in her knickers while unsuccessfully trying to evade a man so toxic yet alluring that she had no choice but to eventually succumb to him. Thankfully we've all moved past that somewhat, and due to artists such as OK GoLady Gaga, and Kanye West, the music video is now a method of either humoring our inner nerd, providing shock value, or spreading undercover societal messages - all of the above, actually. What started out as a way for record labels to impart visual language to a song in order to promote the artist's image and boost sales has turned into fully realized and conceived theatricals that can only be called a short film.   

With this precedent set ahead of us, graphic artists everywhere have taken the cue to create their own mini dramas in increasingly imaginative ways, and this is where today's post comes into play. Polish producing pair Katarzyna Kijek and Przemysław Adamski (also known as Kijek/Adamski) have finetuned their skills to combine illustration and animation together in their music video for We Cut Corner's "A Pirate Life". The video is a product of every frame being hand-drawn and spliced together to create each rippling effect of water and each movement of the lead singer, and is an endeavor that took two months and 1,850 marker drawings to complete.

Seeing this makes me excited for what other inventive recipes can be thought up in the world of moving art, and what else we can do to ensure that this kind of passion, research, and creativity is never lost.